![]() ![]() ![]() This is especially evident in the mind of Frederick Henry, from Ernest Hemingway s A Farewell to Arms, for he must decide to follow his obligations to the Italian army in World War I, or follow his love for Catherine Barkley.įrederick Henry is an American who serves as a lieutenant in the Italian army to a group of ambulance drivers, whom is portrayed by Hemingway as a lost man searching for order and value in his life. Two external forces pulling in opposite directions which the protagonist must sort out and decide which is more important to follow. Fishing becomes a ritualistic engagement with the metaphor of birth, and birth becomes a metaphorical perspective of his writing process, and Hemingway engages continuously in both throughout his writing career.In many works, the conflict involved is an inner conflict within the protagonist. Fishing was more than an escape from writing for Hemingway – it was a vital part of his writing process. Writers have traditionally referred to their books as ‘brainchildren,’ and using the method of examining colloquial metaphors proposed by George Lakoff and Mark Johnson in Metaphors We Live By (Lakoff 2003), we witness the extension of the metaphor to the writing and editing process by Hemingway. The third chapter considers Hemingway’s metaphorical identification as a birthing mother in his conception of his own writing process. By managing the pain and the consciousness birthing mothers feel, male interference distorts the significance of the event for the mother. The second is the interaction of male characters with actual childbirth, and how male characters, specifically doctors and fathers, react to birthing mothers and try to control the event. The first is imitation of the ordeal, which he most closely enacts in his ritual engagement with fishing. ![]() This thesis considers Hemingway’s engagement with childbirth in three separate but interrelated ways. ![]()
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